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American Musicals
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How do you feel about Musicals? This distinctly American form of entertainment
has brought pleasure to fans for over a hundred years. Although it was originally
created here, this genre has spread all around the world.
We're proud to present an article on Musical Theatre, presented
below. Read how Musicals affected one man's life! Learn
a little about the history of Musicals and what it is about America that made it fertile
ground for the birth of Musicals.
After you read our article, follow the Related Links we provide to
other fun and informative web sites on Musical Theatre. Also, please buy a
few of the Books we recommend below. These
great books will surely please fans of Musical Theatre! Thanks for checking
out our recommended books!
Related
Links:
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Musicals101 - This site is "The Cyber
Encyclopedia of Musical Theatre, TV and Film." They provide a history
of Musical Theatre, reviews, sample lyrics and scenes, and information on how to put
on a Musical.
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Music Theatre International (MTI) -
According to their About MTI page,
"Since it's founding in 1952, MTI has been responsible for supplying scripts and musical
materials to theatres worldwide and for protecting the rights and legacy of the authors
who it represents." This is the place to go if you are thinking of putting on
a Musical.
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Wikipedia has a great introductory
article about Musical Theatre.
It is loaded with links to sites on shows, composer/writers and performers.
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The Yahoo Directory has a page
on Musicals. It provides links to web sites on the subject.
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ArtsLynx.org has a page
on Musicals that has a large number of links to fun and interesting web sites.
Read
These Books:
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Finally,
a book as glorious as its subject: this lush showcase for everyone who loves musicals
covers the 101 most influential, popular, and enduring Broadway shows--all of which
have toured the country and been performed in theatres large and small everywhere.
Each listing includes expert commentary that sets the play in historical and cultural
context, plus features on the creators and performers, plot synopses, cast and song
lists, production details, backstage anecdotes, and more. Four or five beautifully
reproduced photographs from each show--the majority never before published--accompany
the text and make the shows leap off the page. Appendices and special features include
cast albums, poster artists, revivals, guilty pleasures, Off-Broadway musicals, notable
flops, and much more.
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This
is the ultimate backstage tour of Broadway! AT THIS THEATRE tells the complete history
of Broadway in the 20th century, theatre by theatre. This gorgeous book is now updated,
revised and with a larger format, covering 1900 to 2001. PLAYBILL's columnist, Louis
Botto, along with Robert Viagas, opens the doors and lets readers explore the 40 active
Broadway theatres in New York. From the conception and design of the buildings, to
their original creators, and on to the theatres' transformation, often under duress,
from legitimate houses to vaudeville and Burlesque, to movie houses and then back
to their original purpose, this book captures the magical world of Broadway. It is
a complete and authoritative history that only Botto, the curator of PLAYBILL's incomparable
116-year-old archives, can tell. Expanded from his popular column in PLAYBILL magazine,
AT THIS THEATRE is the biography of those living, breathing buildings we call theatres.
In this substantially updated version, Botto includes the histories of all the theatre
rescued from the wrecker in the last ten years, including the American Airlines Theatre,
Disney's New Amsterdam, and the Lyric and the Apollo, now combined into the Ford Center.
AT THIS THEATRE is filled with great stories featuring a cast of characters including
Ethel Merman, David Merrick, Katharine Hepburn, Humphrey Bogart and Spencer Tracy.
And it's also a theatrical spectacle boasting lavish illustrations of posters, programs,
and photographs throughout. This is the gift book for every theatre lover on your
list, including yourself!
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Along
with jazz and abstract expressionism, the Broadway musical is one of the few uniquely
American art forms. A companion to the six-part PBS documentary series, Broadway:
The American Musical is the first comprehensive history of the musical, from its roots
at the turn of the 20th century through the smashing successes of the new millennium.
The compelling, in-depth text is lavishly illustrated with a treasure trove of photographs,
sheet-music covers, posters, scenic renderings, production stills, rehearsal shots,
and caricatures, many previously unpublished.
Complementing the narrative are lively sidebars that highlight the stars, the shows,
and the songs--the key ingredients that make the musical great. Each chapter will
also include essays written by some of Broadway's most fascinating luminaries, past
and present. An entertaining amalgam of unpublished material, candid and production
photographs, and a trunkful of anecdotes and Broadway lore, Broadway will appeal to
eighth-graders in their first high school musical as well as to connoisseurs of the
art form.
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Mark
N. Grant thoroughly investigates all aspects of the Broadway musical as he traces
the transformation of singing and melody, libretto and lyric writing, dance rhythms,
sound design, and choreography and stage direction through three distinct eras: the
formative period (1866-1927), the golden age (1927-1966), and the fall (1967 to the
present). He explores how and why the unsophisticated genre of pre-1920s musical comedy
evolved into the creative, innovative, and immensely popular theater produced by the
likes of Rodgers and Hammerstein, and then steadily faded as a significant entertainment
genre in American culture.
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Enjoy
our exclusive Feature Article:
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THE MUSICAL - AMERICA'S ART FORM
by Craig
Butler 1/6/06
The musical theatre is arguably the indigenous art form that has made the greatest
contribution to world culture. Millions upon millions of people around the world have
thrilled to Eliza Doolittle bursting with joy while singing "I Could Have Danced All
Night" in MY FAIR LADY, Laurey and Curly denying their feelings for each other by
singing "People Will Say We're in Love" in OKLAHOMA! or Anita and Tony falling in
love at first sight during the "Dance at the Gym" in WEST SIDE STORY.
Certainly, as a youth, my discovery of musical theatre via local community productions
had a profound influence on me and inspired me to express myself, first as a performer
and later as a director and writer. Even though I grew up as far away from Broadway
as Little Rock, musicals spoke - or rather, sang - to me. The soaring melodies of
Jerome Kern, the syncopated stylings of George Gershwin and the sophisticated wordplay
of Stephen Sondheim struck chords within me and gave voice to feelings I was too young
to understand.
In its heyday, the American musical told the rest of the world a great deal about
the United States. Other cultures learned about American optimism ("A Cock-eyed Optimist"
in SOUTH PACIFIC); our notions of democracy (THE KING AND I); the importance a successful
career plays in our self-esteem (HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING);
the cynicism that overtook much of the country in the late 20th century
(CHICAGO); and much more.
It's appropriate that the musical theatre was born and bred in America, for it is
by its nature the creation of a "melting pot" culture. It takes a little from traditional
English drama, Viennese operetta, French ballet, Irish and Jewish vaudeville, African-inspired
blues and so much more. All of the cultures that made it to our shores contributed
something, but the result is purely, uniquely and identifiably American.
Although the British mega-musicals by Andrew Lloyd Webber (THE PHANTOM OF THE OPERA,
CATS) and others eclipsed America's musical theatre output during much of the 1980s
and 1990s, the tide has turned in the last decade, and "homegrown" product once again
dominates Broadway.
Interestingly, the current trend is away from serious musicals and toward highly comic
pieces, such as Mel Brooks' THE PRODUCERS (which walked away with more Tony Awards
than any other production in history), HAIRSPRAY and MONTY PYTHON'S SPAM-A-LOT. There
have been some exceptions, notably Adam Guettel's stunning THE LIGHT IN THE PIAZZA,
with its challenging yet gloriously romantic score. Yet even PIAZZA has been more
of a critical than a popular success, and while its run will certainly be respectable,
it is not likely to match the runs of the current crop of laugh-a-minute musicals.
Nowadays, the musical doesn't have the influence it once had. Movies and television
have more impact, and radios no longer feature songs from Broadway shows. Yet the
form is still going strong, with new generations of writers always ready to find a
way of singing - rather than talking - about the concerns that are unique to their
age.
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